The Corrs hit paydirt with In Blue, an album of memorable pop songs that topped the charts in over twenty countries around the world. It gave them the breathing space they needed to re-establish their roots, to live a little and to reassess their purpose as a band. Now, with the release of Borrowed Heaven, they’re back in the music biz frontline – slightly older, considerably wiser, but still with the same hunger to make great and honest records.
He may be better known as manager of The Corrs – but John Hughes has been a musician for well over 30 years. Besides, with a US top 50 album to his credit in the 1980s, his new record – the remarkable Wild Ocean – is just the latest instalment in an extraordinary journey that has taken him close to the edge and back. interview: Niall Stokes
Four years is a hell of a long time in pop music – the fact that The Corrs could afford to lay low for such an extended period is a testament to the band’s confidence in their audience...
Ten Feet High is surprisingly playful, but in a serious way. For the most part, Corr and producer Nellee Hooper have fashioned a hybrid of high street pulses, airy melodies and acoustic chamber pop.
